In the end, we all return to dust.
But in the process of our living we leave traces. Destructive or transformative. Deliberate or accidental. Seen or unseen.
This understanding underpins my life and my art.
Selected catalogues, articles, exhibition documentation
The air between us | Exhibition in conversation with Katherine Spindler 2022 | Barnard Gallery, Cape Town
Material Witness | Excerpt from ‘Strange Cargo: Essays on Art’ by Ashraf Jamal 2022
Fresh and abuzz | Review of ‘New Day’ exhibition at Graham Contemporary by Ashraf Jamal | Arthrob 2022
Matereality | Group exhibition 2020 | Curated by Andrea Lewis | Iziko South African National Gallery, Cape Town
The Future is Female | Group exhibition 2020 | Sulger-Buel Gallery, London
Seed-1 | Group exhibition and auction 2019 | Villa Arcadia, Johannesburg
Songs beneath the surface | Solo exhibition 2018/9 | Sulger-Buel Gallery, London
This remembering land | Solo exhibitions Cape Town & London 2015 | Sulger-Buel Lovell Gallery
Material remains | Essay on Songs beneath the surface | Natasha Norman 2018
Remnant landscapes | Cape Town Art Fair 2019 | Sulger-Buel Gallery
Extended Traces. Tracking the impact of painter on environment | Research article | De Arte Journal
Transcodes | Essay excerpt | Group exhibition curated by Prof. Gwen Miller
Threshold | Group exhibition | Curated by Virginia MacKenny | Michaelis Gallery, Cape Town
Release | Research document and final year group exhibition | University of South Africa
Let Sleeping Dogs Lie: Visual Expressions Of Burial As Loss Of Teleology | Essay excerpt | Prof. Elfriede Dreyer
